New piece posted under “Audio” today called Cumulus Refractions. It features a ton of programming, plus a little bit of that acoustic performing I occasionally do. Program notes follow.

---

Cumulus Refractions is about speed – or rather, what happens when something is slowed down to incredible levels and contrasted with sounds recorded at their natural velocities. Sound samples were collected and slowed down before being granulated to create static clouds of millisecond long fragments, indistinguishable from their original source. Over these textures, instruments both live and processed are superimposed and arranged in a contrasting [gradually accelerating and decelerating] manner, occasionally synchronizing with the computer edited sounds. Eventually, these mergers give way to areas dominated by electronic materials and accelerating rates of events, before coming to rest in one final cloud of sound punctuated with a brief accelerando in the live instruments.

The relationship between the acoustic and electronic forces is not just based on speed and density though. The electronic segments are primarily composed of samples of the live instruments (and a few other things found lying around my studio), manipulated into new forms, and then controlled by the pitch and volume of other live instruments. The end result is a subtle and evolving look at the speed and contrast of materials from the acoustic and electronic realms.

I’ve added a recording of Sirens to the audio page. Thanks again to Isoa Chapman for taking on such a difficult piece – and playing the hell out of it. Enjoy.